Paddy Ryan visits the Book of Kells

 

In the 11th century, the Irish Annals described the Book of Kells as ‘the most precious object of the Western World.’ While a little exaggeration might be expected from that quarter, the Book of Kells remains one of the most popular visitor attractions in the country with long queues, daily, lined up to see it in Trinity College, Dublin.

Full marks to Trinity for the magnificent display and concise information about, not only the Book of Kells but other richly decorated religious books produced in 8th/9th century Ireland.

While the terms ‘frenetic’ and ‘monasticism’ appear contradictory, Irish monasteries of the period were churning out magnificent works, like the Books of Durrow, Dimma, Mulling and Armagh.

It might be assumed that the Book of Kells was produced in that historic Meath town but scholars believe it was partially compiled in the remote Scottish island of Iona where, around 561 A.D, Donegal-born, Saint Colmcille founded a monastery. However, the Book of Kells was written two centuries later and may have been commissioned to commemorate the bi-centenary of his death.

Containing the four Gospels of the New Testament, the Book of Kells is an iconic example of Western calligraphy, illumination and ornamentation. Not intended as light, or bedtime reading, it is written in Latin. However, it is brought alive with fantastic illustrations of humans, animals and birds — often laden with Christian symbolism.

For example, the peacock, whose flesh was believed not to rot after death, features regularly to symbolise the incorruptibility of Christ. It also represents renewal because its feathers regenerate in spring.

This visitor was left open-mouthed that such a magnificent production was achieved, considering the difficulties faced by its scribes.

Continue reading in this week’s Ireland’s Own